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Martin Audio HTKCT04 Distance Pole for BlacklineX/Q to Speakers and Subs
Warranty from the manufacturer: 12 months.
About product
Martin Audio HTKCT04 Distance Pole for BlacklineX/Q to Speakers and Subs
Description
When you’re putting a sound system together from scratch, it’s especially important that a stand isn’t just a piece of tube, but a reliable, intuitive and confidence‑inspiring part of the setup. That’s exactly where the Martin Audio HTKCT04 Distance Pole for BlacklineX/Q to Speakers and Subs comes in, turning a sub-plus-top combination into a neat, safe system for stage work, rehearsals or fixed installations.
This isn’t one of those accessories you remember at the last second and grab whatever happens to be lying around. The right distance pole affects not only how easy it is to position your speakers, but also how stable the whole stack is – how it stands up to a hard‑driving party, the rigours of touring, or a tight events schedule with constant set‑ups and tear‑downs.
What you’ve got here is not an anonymous bit of metal, but a carefully thought‑out component of the Martin Audio ecosystem. It’s designed specifically for BlacklineX and Q series cabinets, taking into account their real‑world weight and the working heights where they perform at their best. The height is set so the top cabinet projects cleanly over the audience’s heads instead of firing straight into the front row’s chests.
At the same time, the pole doesn’t look bulky. It’s compact, easy to carry, doesn’t snag on cables and doesn’t get in the way around the stage. A piece like this quickly becomes the dividing line between a “cobbled‑together rig” and a tidy, well‑planned sound system you’re happy to roll out at serious events.
Why choose this model?
- Compatible with BlacklineX and Q systems
- High strength and stability, even with heavier loudspeaker cabinets
- Well‑designed height adjustment with secure locking
- Smart, unobtrusive look, suitable for stages and interior installations
- Simple, intuitive assembly that saves time during set‑up
Model overview
The whole point of this accessory is that it behaves like a natural extension of the sub and the top, rather than a one‑size‑fits‑all pole of questionable quality.
Martin Audio HTKCT04 Distance Pole for BlacklineX/Q to Speakers and Subs is engineered for real‑world loads, so you’re not worrying about the safety of the speakers or the people around them.
The hollow steel tube comfortably takes the typical weight of Martin Audio tops without bending or working loose over time, provided it’s used sensibly.
Usually, the problems don’t show up on the first gig, but a few months in, when locks start to sag, bushings wear out and the pole starts to wobble if you so much as touch it. Here the manufacturer has deliberately gone for “better slightly over‑engineered than marginal”. Quality steel, tidy welds and a solid height‑locking system all help prevent that play from appearing. You simply set the height, tighten the lock and don’t have to revisit it until the show’s over.
The adjustment mechanism is straightforward: choose the height, lock it, check the pole is rock‑steady, and you’re ready to send signal. The usable height range is enough for typical jobs – from a small club to an indoor party in a hall or café. The top cabinet is lifted to a comfortable level so the sound covers the room with confidence instead of disappearing into the crowd gathered in front of the stage.
It’s also worth mentioning the mounting dimensions. The top end fits standard speaker top‑hat sockets, while the bottom is designed for a subwoofer pole mount or adapter. With BlacklineX and Q systems it all becomes almost instinctive: position the sub, secure the pole, put the top on, plug in your cables and you’re done. Everything lines up neatly, looks professional and the height is completely predictable.
Another important aspect is the appearance. On stage it’s often very obvious where corners have been cut. Cheap paint scratches quickly, the metal starts to shine through and the whole thing looks tired after just a couple of outings. This pole has a clean, durable finish that lasts longer, doesn’t throw distracting reflections into the audience and sits visually well next to brand‑name cabinets. If you work in installations or kit out venues where the visuals matter, that’s not a trivial detail but a genuine advantage.
In live sound and mobile work, speed is crucial. Constantly fiddling with vague hand‑knobs and trying to work out which way the box has tilted is exhausting for both musicians and sound crew. Here everything is as straightforward as possible: simple geometry, a clear locking method and a minimum of moving parts. Fewer components mean greater reliability and fewer chances of something snapping off at exactly the wrong moment.
If you’re regularly transporting your gear, you’ll also appreciate how it packs. The pole easily fits into standard bags and cases; it doesn’t need a huge dedicated flightcase of its own. Yet it never feels flimsy – in the hand it comes across as a serious part of the system, not a throwaway stand for a one‑off rehearsal.
Who is this model for?
In reality, this accessory is equally useful for newcomers and seasoned professionals. Martin Audio HTKCT04 Distance Pole for BlacklineX/Q to Speakers and Subs is ideal for musicians putting together their first properly thought‑out PA and who don’t want everything relying on random stands bought second‑hand. You buy it once and forget about problems with height and stability.
For sound engineers and techs, the distance pole provides welcome consistency. You dial in a “sub plus top” setup for a typical room, choose the right height, lock it off and then simply repeat that configuration from gig to gig. That cuts down on variables, making it easier to predict how the system will behave in different spaces.
For producers who sometimes bring their own PA to performances or showcases, it’s convenient to have a rig that goes together without drama. You know the system will set up quickly, the tops will be at a sensible height, and the stack won’t start swaying as soon as the crowd gets energetic near the stage.
An accessory like this helps you step away from purely hobby‑level solutions towards a more professional standard, where even a compact system both looks and feels confident.
For hobbyists and self‑taught musicians, a pole like this marks a move up from “home experiments” to a more serious approach. If you’ve grown out of putting a speaker on a chair and want to build compact yet tidy systems for small events, this is exactly what you need. Trade shows, intimate gigs, creative meet‑ups, living‑room style concerts in larger spaces – wherever there’s a sub and a top, a distance pole makes the stack logical and safe.
For installers and venue owners, the value is slightly different. You can confidently fit these poles in a club, bar, rehearsal studio or event space, knowing everything will look smart and behave predictably. Clients may not know the brands or series, but they instantly see when equipment is set up solidly and “like the pros do it”.
If you’re a session musician who usually turns up to ready‑made stages but occasionally takes on the task of providing a small PA, this pole is a lifesaver for “quick setup – clear result” scenarios. It’s especially useful if you work with Martin Audio loudspeakers and want every part of the system to be on the same quality level.
Specifications
- Type: distance pole (stand) for mounting a satellite above a subwoofer
- Intended use: for use with Martin Audio BlacklineX and Q series loudspeaker systems
- Construction: steel tube with adjustable height
- Material: robust steel with hard‑wearing finish
- Colour: black
- Mounting method: top end into a standard speaker pole socket, bottom end into the subwoofer’s pole mount or an adapter
- Height adjustment: telescopic with locking mechanism
- Applications: portable PA systems, clubs, bars, mobile sound, installations
- Manufacturer: Martin Audio, United Kingdom
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